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Wallpaper Border

Polychromatic floral swags (hung upside down) framed by gold-colored scalloped border on either end. Imitates tapestry design.

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Lantern-slide Transparency

Glass slide with seascape

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Lantern-slide Transparency

Glass slide with caravan

Table

Gothic revival. Stylized feet below cross shaped base with pierced bracket connecting to octagonal tapered pedestal. Paneled octagonal skirt with corresponding canted marble top, marbleized to resemble yellow Sienna.

Slipper Chair

Gothic Revival upholstered chair with pointed arch back enclosing tracery carving surmounted by acanthus crocket. Upholstered rectangular back flanked by rectangular stiles with recessed arch lozenges terminating in recessed quatrefoil block at back rail. Carved drops between back rail and upholster...

Armchair

Gothic Revival open arm tracery back with center top quatrefoil design and crocket. Back is flanked by two rectangular stiles with acorn finials at top and quatrefoil blocks at lower back rail. Curved arms roll back at front rail and form a three part floral motif. Quatrefoil blocks at Front rail ec...

Settee

Gothic Revival settee with two part tracery back; each raised upholstered rectangular back has open carved pointed arch surmounted by carved blossoming acanthus bud and flanked by stacked rectangular plinths which terminate in carved bud. Plinth sits on modified Corinthian capital. Center back is lo...

Table

Renaissance Revival style; Vermont white marble top is painted to simulate sienna marble. Carved apron and turned shaft deflects to four cabriole legs. "MEEKS" in block letters is inscribed on bottom.

Table

Renaissance Revival, four pierced scrolled bracket legs and central turned shaft ending in drop finial. Extenuated quatrefoil skirt. Vermont white marble top marbleized to simulate yellow Sienna marble.

Footstool

Gothic Revival overstuffed square footstools upholstered with red wool and corresponding gimp. Rails have carved acorn branches inserted in carved lozenge and two applied corner blocks with carved quatrefoil, four turned and octagonal shaped legs with button feet on castors.

Footstool

Gothic Revival overstuffed square footstools upholstered with red wool and corresponding gimp. Rails have carved acorn branches inserted in carved lozenge and two applied corner blocks with carved quatrefoil, four turned and octagonal shaped legs with button feet on castors.

Side Chair

One of three Gothic Revival side chairs with tracery and arch backs composed of center quatrefoil surmounted crocket of blossoming acanthus leaf. Back flanked by two rectangular stiles with recessed lozenge motifs, acorn finials and quatrefoil corner blocks which are repeated on front chair rail cor...

Side Chair

One of three Gothic Revival side chairs with tracery and arch backs composed of center quatrefoil surmounted crocket of blossoming acanthus leaf. Back flanked by two rectangular stiles with recessed lozenge motifs, acorn finials and quatrefoil corner blocks which are repeated on front chair rail cor...

Side Chair

One of three Gothic Revival side chairs with tracery and arch backs composed of center quatrefoil surmounted crocket of blossoming acanthus leaf. Back flanked by two rectangular stiles with recessed lozenge motifs, acorn finials and quatrefoil corner blocks which are repeated on front chair rail cor...

Fire Fender

C-shaped form, the bottom is squared with canted sides, supporting a fence-rail style fender with squared posts and pointed finials.

Vase

Bristol-type opaque white glass boxy. Urn-shaped vase-form with circular mouth with wide ground edge, short indented neck swelling out at sharp shoulders and tapering to a pointed bottom with a ring at stem and a wide circular foot. Gilt banding throughout. Center with an oval Renaissance revival re...

Vase

Bristol-type opaque white glass boxy. Urn-shaped vase-form with circular mouth with wide ground edge, short indented neck swelling out at sharp shoulders and tapering to a pointed bottom with a ring at stem and a wide circular foot. Gilt banding throughout. Center with an oval Renaissance revival re...

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Hearth Brush

Painted black dowel type handle with rounded tip; turned ring at neck, supporting elongated ovoid head with red bristles.

Firetool Stand

Circular bas with molded stepped base. Dowel-like support with medial ring, terminating in double c-shaped support for tools.

Fireplace Shovel

Bell-shaped head with round hand with applied shaped medial knob. Turned handle with egg and ring turnings.

Fireplace Tongs

Corresponding bell-shaped head with round hand with applied shape medial knop, with scrolls at shoulders, long arms ending in pincers.

Andiron

Elaborately turned brass andirons. Urn-tops with ball finials with ringed neck terminating in column plinth surmounting tapered columnar bodies with ringed and molded bases. Thin double scrolled cabriole-like legs with ball feet.

Andiron

Elaborately turned brass andirons. Urn-tops with ball finials with ringed neck terminating in column plinth surmounting tapered columnar bodies with ringed and molded bases. Thin double scrolled cabriole-like legs with ball feet.

Portrait of Henry Ward Beecher

Molded walnut oval frame with lithograph of Henry Ward Beecher in green suit with a green background.

Umbrella Stand

Molded cylindrical body, lower half with ribbed decoration. Circular mouth, slightly indented neck with underglaze blue, scroll work decorative band. Body decorated with under glaze blue naturalistic floral and bird motif. Lower half decorated with celadon green glaze with over glaze enamel painted ...

Photograph

Sepia photograph of a painting of Lucy Tappan in her wedding dress.

Group Photograph

Group photograph of Mr. and Mrs. Henry Bowen with his children and grandchildren in front of his Brooklyn mansion at 90 Willow Street. Mounted on maroon cardboard.

Portrait of Winthrop Earl Bowen (1863-1865)

Polychrome oil on canvas memorial painting of Winthrop Bowen (1863-1865) in oval, gesso, and gilt frame. Brown hair, side part with ringlets. Bust portrait on dark background which blends into torso.

Framed Engraving

Walnut and gilt rectangular molded frame; glass, black and white engraving of “La Madonna di san Sisto” by Raphael D'Urbino (painter) and Nordheim (engraver)

Photograph

Rectangular black walnut frame containing photograph of oil painting by Robert Wilson portraying a classical statue in ruins and rural scene. Entitled “Omar's Rose” and dedicated to Constance Holt/ Based on the lines “I sometimes think that never blows so red the rose, as where some buried Caesar bl...

Photograph

Rectangular black and walnut frame containing photograph of Rembrandt's “Self Portrait” in ¾ view, turning to look over his shoulder. The artist wears a dark coat and hat with a feather, his face partially in shadow.

Box

Rectangular hinged box with bands of various woods. Top has central panel with putti being pulled in a chariot by two goats.

Box

Rectangular form with paper hinge and metal clasp covered with diamond and trefoil pattern. Bordered by wood grained printed paper. Overall attempt to imitate Indian wood box.

Table Mat

Table linen with scalloped border with large circular flower motifs on edge and with orange embroidery in center.

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Print

Black and white engraving entitled “Mozart a Vienne” showing Mozart at the keyboard surrounded by an audience of ladies and gentlemen. Rectangular molded frame with black and gilt decoration and glass. Engraved by Alfred Cornilliet after E. Hamman.

Print

Walnut, rectangular molded frame with gilt inner frame and glass; black and white engraving of “The Finding of the Savior in the Temple” William Holman Hunt, painter; A Blanchard, engraver.

Photograph

Black and rectangular frame. Applied copy of a black and white photograph of Lewis Tappan, father-in-law to Henry C. Bowen, carrying a coat over one arm and a walking stick or cane in his other hand. ¾ length view.

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Print

Facsimile of etching of hatted older man bending over a walking stick. Multiple matting, including gold leaf; cream colored band. Birdseye veneer frame with inner gilt run molding. Signed [Fornting R. 1869]

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Doily

Square, white doily with wide border of lace and fringe.

Curtain

Deep red velvet curtains; 7 rings; selvadges and hemmed; 2 panels; floor length

Curtain

Deep red velvet curtains; 7 rings; selvadges and hemmed; 2 panels; floor length

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Corn Popper

Dowel handle; wire basket; hinged cover; tin edging throughout

Library Table

Renaissance Revival library table with rectangular top and bowed ends. Inset green baize top with pas partout and Greek key gilt design, molded skirt with one long drawer in front. Block corners, turned legs, bracket stretchers with center finial. Modified trestle type.

Armchair

Top rail has centered flower in cartouche with leaf and scroll motif. Turned baluster spindles. Arms curve from stiles and to seat, caned flag seat with bowed front rail. Turned front legs and stretcher, two cylindrical side and rear stretchers.

Table

Three tapered cabriole legs support a lower trident shelf and upper round top with molded sides.

Letter Box

Three tiered letter box of rustic design. Front and crest of pierced oak leaf and acorn carving. Sides carved to imitate bark. “Twig” feet and frame.

Seal

Knop top with spool and vase form shaft with attached metal “H” seal.

Inkwell

Colorless rectangular base with canted corners and top. Circular well.

Print

Marked “Etched by Max Rosenthal Phila 1890 from a painting by C.W. Peale.” Signed in pencil. Bust portrait of George Washington with oval matting. Oak, rectangular frame.

Print

Black and white engraving entitled “A Dream of the Future” depicting a young girl with her dog and a city in the distance. Engraved by J. J. Chant after W. P. Frith, T. Crewswick, and R. A. Anedell. Rectangular molded walnut frame with gilt inner frame, glass mount.